As Africa’s artifacts start to be returned, what about its films?

Priya Sippy, As Africa’s artifacts start to be returned, what about its films?, Quartz, December 16, 2021.

“In a hauntingly memorable closing scene for the film La noire de…, by the “father of African cinema” Ousmane Sembene, a young Senegalese boy hides behind a ceremonial mask as he follows a white man through the streets of Dakar in a newly-independent Senegal. The white man hastens his pace, eventually running, but the young boy, unperturbed, keeps pace with him, always there, always watching.”